Carmen Miranda

Cognate Infinitives have been identified and described as productive linguistic features within Arabic language and along the Semitic continuum. However, their full range of function remains largely unstudied in the spoken varieties of Arabic. This study proposes a new grammatical model for the analysis and description of Cognate Infinitives in Lebanese Arabic that accounts for this feature’s semantic, informational, affective and social functions. It suggests that Cognate Infinitives function as focus markers and are efficient communicative tools for a variety of attention management...

The purpose of these volumes is to recognize and disseminate the essay production of one of the most important figures of the literary history of the country and Latin America.

una historia que se desarrolla en una ciudad postapocaliptica, en donde el bien y el mal luchan por el hombre.

Luis Cruz Azaceta: No Exit is the first substantial overview of the work of the Cuban-American artist Luis Cruz Azaceta (born 1942). Azaceta's childhood memories in Cuba (where he remained until he was 18 years old) mix with his first professional experiences in New York City (where he studied at the School of Visual Arts and where he lived for three decades) and those of his period of professional maturity in New Orleans. Azaceta's brightly polychromatic painting explores "an aesthetics of constant escapes," as Iván de la Nuez put it. His imaginary, revealed in works that range between...