Historias paralelas

"Carefully researched study of the economic impact of the Chilean occupation of Lima during the War of the Pacific. Looks at banking and the roles of emerging Spanish and Chinese merchants. Concludes that the economic 'ruin' of Lima by the end of the occupation was nearly complete. Suggests that the economic issues of the Chilean occupation were so profound that they played a significant role in delaying the final settlement of the War of the Pacific claims until 1929"--Handbook of Latin American Studies, v. 58.

This anthological edition is a well-deserved tribute on the life work of Bostelmann (b. Mexico), one of Mexico's most noted late 20th century photographers. This photographic retrospective presents his striking b/w photographs of desolated and rainy places, nude figures, the town of Cuetzalan, political meetings, children and his ironic color series (CrÑnica de familia, la vida en breve, gallo). Bostelmann was against what he called the "current use and abuse of digital elements" to enhance photography.

This book contains sixteen texts of the author, taken from three of his works: Los misterios de México, Historia de México and El mendigo de San Ángel.

Sharply critical analysis of Mexico's recent round of ambitious structural reforms, particularly of oil industry and finance reforms, which author says show direct line of descent from 18th-century Bourbon reforms, politics of Porfirio Diaz and neoliberal ideals of Carlos Salinas de Gortari, historical antecedents vilified by many on left in Mexico. Author was Mexico's youngest elected governor and is currently serving in Congress.

En estas paginas se presenta una seleccion de los parrafos mas iluminados de la Historia verdadera de la conquista de la Nueva Espana. Se trata de las descripciones mas apasionadas y asombrosas que se quedarian para siempre en la memoria del cronista. Aqui se perciben el azoro ante lo desconocido, la admiracion ante las grandezas del mundo mexica, la sentida importancia que el autor confiere a los hechos en los que participa y todo un vertigo de colores, sabores, edificios y multitudes que no parecen sino cosas de encantamiento.