Historias paralelas

"Carefully researched study of the economic impact of the Chilean occupation of Lima during the War of the Pacific. Looks at banking and the roles of emerging Spanish and Chinese merchants. Concludes that the economic 'ruin' of Lima by the end of the occupation was nearly complete. Suggests that the economic issues of the Chilean occupation were so profound that they played a significant role in delaying the final settlement of the War of the Pacific claims until 1929"--Handbook of Latin American Studies, v. 58.

Panorama de la filosofía colonial -- Un siglo de oro -- La defensa frente a Europa -- El humanismo clásico -- La presencia de Descartes -- El pensamiento moderno de los jesuitas -- Los Elementos de filosofía moderna, de Gamarra -- La cima de la Ilustración--Alzate -- La preparación de la Independencia -- Modernidad en pensamiento y acción--Hidalgo.

A series of narratives based on the history of a hacienda in San Gertrudis, Chihuahua during the Mexican revolution, with focus on the incursion of rebel troops and the reaction of rural residents. The author (1944) is a native of San Gertrudis.

Cine político en México (1968-2017) busca dibujar caminos que ayuden a visibilizar cierta dimensión histórica, política y social del cine y el video en México; apela a valorar el quehacer cinematográfico y audiovisual en su relación con movimientos sociales y culturales; y se pregunta acerca de los horizontes que se manifiestan, y los efectos que se producen en esa conexión que establece con la realidad. Buscamos establecer un diálogo entre la mirada que analiza la obra y la experiencia de hacer cine o video en México, y es en este intercambio cuando el trabajo toma forma en dos...

This anthological edition is a well-deserved tribute on the life work of Bostelmann (b. Mexico), one of Mexico's most noted late 20th century photographers. This photographic retrospective presents his striking b/w photographs of desolated and rainy places, nude figures, the town of Cuetzalan, political meetings, children and his ironic color series (CrÑnica de familia, la vida en breve, gallo). Bostelmann was against what he called the "current use and abuse of digital elements" to enhance photography.