The Necromancer

El cerebro de Cam es como una cámara fotográfica: todo se queda guardado en su cabeza. Un día, Cam, sus tíos y su amigo Eric van al parque de atracciones, donde roban el billetero a su tía Katie. ¿Quién será el ladrón? Un relato en el que se muestra la importancia de la inteligencia en la superación de dificultades.

Juanita Sin Miedo quiere saber qué es eso de «pasar miedo», porque nunca ha sentido nada parecido. Así que cuando ve una oferta de empleo para la Convención del Terror en el castillo del conde Drácula, no se lo piensa dos veces. ¡Es su gran oportunidad! Sin embargo, las cosas no van a ser tan sencillas como parecían. ¿Quién conocerá el miedo, los monstruos o Juanita?

Those that condemn Jis as being immoral miss the point—he's amoral. His comics confront all forms of morality: that of the liberals and the conservatives; leftists and rightists; ethical people and those of questionable conscience. It is no mistake that Jis's favorite metaphor is that of a shipwrecked person, in a microcosmic world made up of only a lump of land and a single palm tree, questioning human nature. The island that Jis inhabits is one of a desk and a pen, from which come every Another Day in this serious, each which appeals to those with the the most astute and intelligent...

In the English countryside of the mid-19th century, Charlotte, Emily, and Anne, with an elderly father and a brother addicted to alcohol, find themselves alone facing the financial fortunes of the Brontë family. And they do it in their own way: overcoming difficulties and early failures with pride and courage and transforming their creative talent and passion for writing into a primary source of sustenance, to finally be able to live an intense life, in full freedom.